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The Atlantic Ocean was formed when the tectonic plates of the supercontinent Pangaea slowly drifted apart some 160 million years ago. All we really know is its surface. Here, waves roll in their own rhythm with every minute, every second offering us a different, entirely unique pattern for millions of years. An instant in the timeline of infinity. Each photo in this book is an immutable snapshot of this fascinating reality. This is how the ocean used to look, how it looks now and how it will look forever and always.
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Ahn Sang-Soo. Dokkaebi.
The Dokkaebi, Korean goblins who have soft spots for pretty girls and hedonistic feasts, thrive in folktales and as gargoyle-like ornamental totems. Throughout Korean history, they have been interpreted as evil spirits, bogeymen or ghosts of the dead, but always phantoms that bewitch, play tricks on, and make fun of human beings with their grim, uncommon powers and strange talents. Some are said to look very much like humans, some like fantastic animals, and some like dragon-esque hybrids. Here, source photographs of traditional representations accompany stark, strikingly tattoo-like black-and-white designs based on them, which are interleaved on glossy pages.kunst
Piet Mondrian – Barnett Newman – Dan Flavin
Although the three prominent modernist artists Piet Mondrian (1872-1944), Barnett Newman (1905-1970), and Dan Flavin (1933-1996) each belong to a different generation, all of them have devoted their creativity to abstract art in groundbreaking ways. Under various intellectual and social auspices they relied upon ascetics in their unheard-of radical dealings with art. Using pure color, concrete form, and new materials, they expanded the dimensions of art into the universal. This volume appears in conjunction with a large, special exhibition at the Kunstmuseum Basel, and features each of the three artists in chronological order, so that the sequencing gives rise to enlightening nexuses. The book presents masterpieces, while juxtaposing seldom-seen works.kunst
Never Mind
In Richard Deacon's solo exhibition 'Some Time', a refabricated version of his sculpture Never Mind takes pride of place among more than twenty-five other works. Over time, the original sculpture, made in 1993, proved to be incompatible with the natural environment of an open-air museum. Now, after a period of critical reflection and discussion with the artist himself, what he calls a 'refabrication' has taken place. Follow the artist and the museum's quest for an innovative, sustainable solution to the renewal of (or variation on) a monumental sculpture that offers a potentially new line of approach for the future. 'Never Mind. Richard Deacon. Some Time' not only represents the Some Time exhibition, but thanks to its diversity of material, ranging from original sketches and intimate correspondence to construction photos from the workshop and installation shots, it also gives a unique insight into Deacon's working process. At the same time, it provides a moment of critical reflection from the perspectives of the various authors who have contributed to it. Text in English and Dutch.kunst
