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The Lord’s Resistance Army, led by the infamous Joseph Kony, is a rebel group that was active in Northern Uganda from the second half of the 1980s. The rebellion became notorious for the use of extreme violence, in particular its large-scale abductions of civilians, of which more than half were children. ‘Rebel Lives’ is a visual story about life inside the rebel group: based on photographs taken by LRA commanders between 1994 and 2004, it documents life inside the group, and depicts the rebels as they wanted to be seen among themselves and by the outside world. Kristof Titeca, senior lecturer in Development Studies and expert on the LRA, collected this material, and used it to trace the photographed (former) rebels. Together with Congolese photographer Georges Senga, he travelled back to photograph the former rebels in their current context, and give a voice to these actors. This visual story is not only about the LRA. It is a story about conflict in all times, and all places, where the limits of victim and perpetrator have become blurred, where people struggle to survive and find their place, and where children in particular bear the brunt of this tension.
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Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Baule Monkeys
Straying from the traditional art canon of the delicate Baule masks and figures, 'Baule monkeys' explores the darker side of this art form, in all its aspects. This makes it to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, 'Baule monkeys' focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, it combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does it include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.kunst
Constantine Petridis
Luluwa
Living in the region between the Lubudi and Kasai rivers in south central Democratic Republic of the Congo, the Luluwa people are known for their elaborately carved male and female figure sculptures, masks, and decorative arts. Constantine Petridis draws on first-hand accounts of numerous explorers, missionaries, colonial servants, anthropologists, and art historians who visited the region between the 1880s and the 1970s, to comprehensively situate the Luluwa's ornate art in its original environment of production and use. Through a close study of published and unpublished sources as well as museum objects and archival photographs, this book sheds new light on the historical context of one of central Africa's most spectacular artistic legacies, whose creation presumably dates back to the second half of the 19th century. 'Luluwa' offers a comprehensive survey of the intricate carved male and female figure sculptures of the Luluwa people of central Africa.kunst
