Chantal Kozyreff
The Oriental Dream
Oorspronkelijke prijs was: € 50,00.€ 25,00Huidige prijs is: € 25,00.
The Japanese Tower and the Chinese Pavilion occupy a unique place in the Belgian national architectural heritage. Both remarkable buildings were commissioned by Leopold II and built in the first decade of the twentieth century. The images include beautiful photographs of the buildings and their interiors, as well as less well known archive material, drawings and old photographs, some of which have never been published before.
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Ton & Mies Becker
Twentieth Century Modernisms in Balinese Wood Carvings
'The Becker Collection - Twentieth century modernisms in Balinese wood carving' contains the private collection of twentieth century ?modern style? Balinese wood carvings, collected by Ton and Mies Becker, both retired medical specialists and collectors of Asian art. Between the 8th and 10th century Hindu influences spread to Bali and blended into the exiting Balinese mix of animistic and Buddhist styles and subjects, known as Bali Aga. Hence, in due time the craftsmen obtained the subjects for their works from the Hindu-Balinese religion and their heroes and demons from famous Hindu epics. This particular style became known in the Western art world as the ?Traditional or Old Balinese style?. In the 20th century the arts and crafts scene in Bali changed completely. First because of Western artist who visited Bali and stayed on to work there and, second, because of the gradual influx of increasing numbers of foreign tourists. In addition the Dutch colonial government started a military campaign to control the powerful kingdoms of central and southern Bali. As a result the local craftsmen lost their royal support and soon realized that foreign tourists were not particularly interested in gods and heroes. Hence, stimulated by some of the Western artists who had settled in Bali, they turned to secular subjects taken from nature and everyday life and became more impressionistic in the execution. This led to a range of new styles, often impressionistic and sometimes even minimalistic and caricatural with bizarre elongated shapes or solid compact forms. In this book we are concerned with this particular type of 20th century ?Modern Style? Balinese wood carving. The catalogue contains 40 objects of ?modern style? wood carving, representing different styles. Each object is photographed, both as an overview and in details if so requested. A brief description of each object is provided, together with the estimated date, and additional information is provided if considered useful. The catalogue is preceded by an essay on the history of Balinese wood carving.kunst
Ton & Mies Becker
Twentieth Century Japanese Bronze Flower Vases
'The Becker Collection - Twentieth century Japanese bronze flower vases' contains the private collection of twentieth century bronze flower vases compiled by Ton and Mies Becker, both retired medical specialists van collectors of Asian art. With the introduction of Buddhism in Japan in the sixth century, bronze containers for flowers to be placed on the altar became important religious objects. In the fifteenth century the Buddhist monk Senno Ikenobô founded the art of flower arranging, which started what nowadays is known as ikebana, the traditional Japanes way of floral art. Presently only the Ikenobô ikebana school still uses bronze flower vases, while all other ikebana schools use other materials like ceramics and bamboo. Following the Meije restauration (1868-1912) the Japanese art world was confronted with Western art styles, in particular the Art Deco movement. The twentieth century flower vases in this collection show a variety in shape and style, in part based on traditional Buddhist temple style vases and in part on the streamlined and geometrical style of the Art Deco movement, albeit often with a distinct 'Japanese touch'. A few introductory essays provide some background information about 'bronzes in Japanese culture', 'the patination of flower bronzes' and 'the tomobako (storage box)'. The catalogue of the vases is arranged according to the bronze worker and presented in alphabetical order in the traditional Japanese way, i.e. the family name first, followed by the given name. All vases are shown together with their tomobako -if available- and with their signature or seal. Brief biographical data are included once available.kunst
Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
