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The Grand Atelier
Pathways of Art in Europe 5th - 18th Centuries
€ 40,00 € 15,00
Long before its emergence as a political entity, Europe was distinguished by its intense traffic in goods and people. We too often forget that the trade routes and other navigable highways were trafficked at a very early stage by artists, works of art and rich patrons desirous of satisfying their appetite for beauty. Well-known and lesser known works offer an insight into this “European space for art and ideas” which already existed at the dawn of the Middle Ages. With its remarkable and often spectacular works, ‘The Grand Atelier’ illustrates various facets and many forms of this artistic interaction. The work covers a long period in the history of art, from the fifth century – the fall of the Roman Empire in the west – to the eighteenth century – the birth of the first great museums; calling on 350 works from well over a hundred European collections. The texts in the catalogue stem from the pens of several European luminaries in the history of art.
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Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
From Titian to Rubens
In 2017 the Rubens House in Antwerp received two exceptional masterpieces on long-term loan from a private collection: the Vision of Saint Catherine, a painting that has meanwhile become known worldwide as 'David Bowie's Tintoretto', and Portrait of a Lady and her Daughter, one of Titian's rare double portraits of a woman and child. To mark the return of these two iconic paintings to their native city of Venice, the Fondazione Musei Divici di Venezia has organized, in collaboration with the Flemish Community, the City of Antwerp and VisitFlanders, a large retrospective exhibition of Flemish art. From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections provides a rich overview of the best that Flemish art has to offer. The exhibition contains important loans from the leading Flemish museums with significant collections of seventeenth-century art. It also features a selection of outstanding works from private collections in Flanders. These masterpieces from Flemish collections, both public and private, hardly ever leave their homes, and some are being shown in public for the first time at this exhibition.kunst
Grand Design
Renowned throughout Renaissance Europe, Pieter Coecke van Aelst produced works for the wealthiest and most important patrons of the time. While he is best known for his magnificent tapestries, he was also a consummate artist in other media, and the output from his workshop included painted altarpieces, as well as designs and cartoons for stained glass. 'Grand Design', the first comprehensive volume devoted to this Renaissance master since 1966, introduces Pieter Coecke van Aelst to a contemporary audience and places him among the great artists of the 16th century. New photographs, including fine details, reunite twenty of the splendid Renaissance tapestries made to his designs with some of his finest surviving drawings and panel paintings, while texts by thirteen prominent scholars explore Coecke's art and world. Both a feast for the eyes and an important reappraisal of a great Renaissance master, this important study will stand as the comprehensive volume on a major artist of the Northern Renaissance.kunst
