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Paul Martineau
The Nude in Photography
Oorspronkelijke prijs was: € 24,00.€ 7,90Huidige prijs is: € 7,90.
To consider the nude in photography is to traverse the entire history of the medium since its inception in the mid-1830s to the present day. From the first hand-coloured daguerreotypes of Greek sculptures to early studies of the live figure to staged scenes and abstractions, the unadorned human body has remained an ever-evolving theme for photographers.
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Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Ronald Rietveld
Vacancy Studies
For English see below- Veel bunkers, forten, kerken, kastelen, ziekenhuizen, watertorens, postkantoren, gevangenissen, paleizen en vliegvelden staan leeg. 'Vacancy Studies' biedt de architectuurwereld een optimistisch perspectief op tijdelijk hergebruik van leegstand. Volgens RAAAF [Rietveld Architecture-Art-Affordances] schuilt er een grote potentie in leegstaande publieke en overheidsgebouwen. De gigantische omvang ervan hebben zij gevisualiseerd met de installatie Vacant NL op de Architectuurbiënnale van Venetië in 2010. De wereldwijde media-aandacht in onder meer The New York Times, The Guardian en The Architectural Review, toont de internationale relevantie van hun visie voor het nieuwe vakgebied 'Vacancy Studies'. Ontwerpers kunnen een belangrijke bijdrage leveren aan maatschappelijke issues zoals leegstand. Dit vraagt om nieuwe manieren van werken. In de praktijk van RAAAF en door een multidisciplinair team aan het Sandberg Instituut is 'Vacancy Studies' verder ontwikkeld. 'Vacancy Studies' introduceert de ontwerpbenadering van 'strategische interventies' en toont nieuwe denkbeelden en experimenten. 'Vacancy Studies' is een onmisbare referentie voor iedereen die geïnteresseerd is in de mogelijkheden van leegstand.- Many bunkers, forts, churches, castles, hospitals, water towers, post offices, prisons, palaces and airports are empty. 'Vacancy Studies' offers the architectural world an optimistic perspective on the temporary reuse of vacant buildings. According to RAAAF [Rietveld Architecture-Art-Affordances], there is great potential in vacant public and government buildings. They have visualised its gigantic size with the installation Vacant NL at the Venice Architecture Biennale in 2010. The worldwide media coverage in The New York Times, The Guardian and The Architectural Review, among others, shows the international relevance of their vision for the new field of 'Vacancy Studies'. Designers can make an important contribution to social issues such as vacancy. This requires new ways of working. In the practice of RAAAF and by a multidisciplinary team at the Sandberg Institute, 'Vacancy Studies' has been further developed. 'Vacancy Studies' introduces the design approach to 'strategic interventions' and shows new ideas and experiments. 'Vacancy Studies' is an indispensable reference for anyone interested in the possibilities of vacancy.kunst
Ellen Thorbecke – From Peking to Paris
'Ellen Thorbecke ? From Peking to Paris' tells the impressive life story of Ellen Thorbecke (1902?1973), a photographer who holds a special place in the history of international photography. In this richly illustrated book, her oeuvre is presented through the cities and regions where she lived and worked: Beijing, Shanghai, Hong Kong, Paris, and the Middle East. Thorbecke left for China in 1931, where she purchased her first camera. Originally trained as a journalist, she developed into a discerning photographer with a distinctly engaged gaze. Her lively, often spontaneous street photography depicts daily life with great attention to human interaction and vitality. Her photographs were accompanied by personal observations and formed the basis for influential publications such as Peking Studies (1934) and People in China (1935). The book offers a rare and intimate snapshot of the 1930s and 1940s. Thorbecke's work is distinguished by her direct, human, and unbiased way of looking, making her images relevant even today. Her compact yet extraordinary archive, housed at the Nederlands Fotomuseum in 2008, consists of 638 black-and-white negatives, 166 of which were made in China. It is considered one of the gems of the museum collection. This publication appears on the occasion of the exhibition 'Ellen Thorbecke's China' at the Nederlands Fotomuseum and is the first monograph in an ongoing series about the museum's collection.kunst
