Baule Monkeys
Oorspronkelijke prijs was: € 59,95.€ 12,50Huidige prijs is: € 12,50.
Straying from the traditional art canon of the delicate Baule masks and figures, Baule monkeys explores the darker side of this art form, in all its aspects. This makes it the first book to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, the book focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, the book combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does the book include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.
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Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Ton & Mies Becker
Twentieth Century Japanese Bronze Flower Vases
'The Becker Collection - Twentieth century Japanese bronze flower vases' contains the private collection of twentieth century bronze flower vases compiled by Ton and Mies Becker, both retired medical specialists van collectors of Asian art. With the introduction of Buddhism in Japan in the sixth century, bronze containers for flowers to be placed on the altar became important religious objects. In the fifteenth century the Buddhist monk Senno Ikenobô founded the art of flower arranging, which started what nowadays is known as ikebana, the traditional Japanes way of floral art. Presently only the Ikenobô ikebana school still uses bronze flower vases, while all other ikebana schools use other materials like ceramics and bamboo. Following the Meije restauration (1868-1912) the Japanese art world was confronted with Western art styles, in particular the Art Deco movement. The twentieth century flower vases in this collection show a variety in shape and style, in part based on traditional Buddhist temple style vases and in part on the streamlined and geometrical style of the Art Deco movement, albeit often with a distinct 'Japanese touch'. A few introductory essays provide some background information about 'bronzes in Japanese culture', 'the patination of flower bronzes' and 'the tomobako (storage box)'. The catalogue of the vases is arranged according to the bronze worker and presented in alphabetical order in the traditional Japanese way, i.e. the family name first, followed by the given name. All vases are shown together with their tomobako -if available- and with their signature or seal. Brief biographical data are included once available.kunst
Ad Petersen
Sandberg
Willem Sandberg was a gifted designer and a pragmatic museum director, a doer who achieved an incredible amount in the art world after 1945 and opened many people's eyes to contemporary art. He was an idealist who cherished the utopian belief that contemporary art could play a self-evident and meaningful role in society outside of its usual marginal and elitist position. At the same time, he was enough of a realist not to harbour excessively high expectations of the result of his efforts. His belief in the power of art, however, was unwavering. In his work as a director and designer, it was Sandberg's mission to be powerful, positive, and future-oriented. His typography, to which the lion's share of this book is devoted, is tangible evidence of this vocation. This is how author Ad Petersen began his foreword to the French edition of this book. He knew Sandberg well. In the final years of Sandberg's directorate, Petersen became one of his closest collaborators. Thereafter, from 1963 until Sandberg's death in 1984, they kept in touch on a more personal basis. His familiarity with the subject culminated in the book Sandberg, een documentaire / a documentary, which he published in 1975 together with Pieter Brattinga and in collaboration with Sandberg. The original book owes its existence to the initiative of the then 50-year-old Institut Néerlandais in collaboration with publisher Xavier Barral. And, of course, to Ad Petersen and his expert storytelling, based on countless conversations, on joint travels, on their collaboration at the Stedelijk, on mutual sympathy, and on his observations of the exceptional personality that Sandberg was. This book was published by Samsara Books in collaboration with the Ambassade Group in Amsterdam. Many thanks are due to designer Adri Colpaart, who also played an indispensable role in the creation of the book.kunst
