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Literally a metal device that prevents a ship or boat from drifting, the anchor came to represent a sailor’s last resort in stormy weather, a symbol of well-grounded hope. In early Christianity, hope was an anchor for the soul, as Christ was an anchor in life. The anchor as a synonym for steadfastness, strength, tranquility, and faithfulness: all these qualities help us to weather the storms of life. This is the fourth volume in a series of publications dealing with major themes in tattoo art. They feature a superb selection of images covering the art and history of Western electric tattooing that are hand picked from the Schiffmacher Collection. These high quality, collectible publications elaborate on themes that can be admired, will inspire and educate, and be a source of tattoo motifs and designs.
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Henk Schiffmacher
Good Luck
Good Luck tattoos are frequently worn by those who really need them: people you would not always call winners. Dices, eight-balls clover leaves, playing-cards, horse shoes: we use all of these symbols to appeal to lucky forces. And if they don't help, at least you can say: you can't win if you don't play. This is the second volume in a series of publications dealing with major themes in tattoo art. They feature a superb selection of images covering the art and history of Western electric tattooing that are hand picked from the Schiffmacher Collection. These high quality, collectible publications elaborate on themes that can be admired, will inspire and educate, and be a source of tattoo motifs and designs.kunst
Baule Monkeys
Straying from the traditional art canon of the delicate Baule masks and figures, 'Baule monkeys' explores the darker side of this art form, in all its aspects. This makes it to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, 'Baule monkeys' focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, it combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does it include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.kunst
Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
