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Literally a metal device that prevents a ship or boat from drifting, the anchor came to represent a sailor’s last resort in stormy weather, a symbol of well-grounded hope. In early Christianity, hope was an anchor for the soul, as Christ was an anchor in life. The anchor as a synonym for steadfastness, strength, tranquility, and faithfulness: all these qualities help us to weather the storms of life. This is the fourth volume in a series of publications dealing with major themes in tattoo art. They feature a superb selection of images covering the art and history of Western electric tattooing that are hand picked from the Schiffmacher Collection. These high quality, collectible publications elaborate on themes that can be admired, will inspire and educate, and be a source of tattoo motifs and designs.
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Henk Schiffmacher
Good Luck
Good Luck tattoos are frequently worn by those who really need them: people you would not always call winners. Dices, eight-balls clover leaves, playing-cards, horse shoes: we use all of these symbols to appeal to lucky forces. And if they don't help, at least you can say: you can't win if you don't play. This is the second volume in a series of publications dealing with major themes in tattoo art. They feature a superb selection of images covering the art and history of Western electric tattooing that are hand picked from the Schiffmacher Collection. These high quality, collectible publications elaborate on themes that can be admired, will inspire and educate, and be a source of tattoo motifs and designs.kunst
Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Asia in Amsterdam
Lavishly illustrated 'Asia in Amsterdam' discusses the Asian luxury goods imported into the Netherlands during the 17th century and demonstrates the overwhelming impact these works of art had on Dutch life and art during the Golden Age. Written by a team of 30 international scholars, this volume presents seven essays and catalog entries on 150 works of art, including Dutch and Asian paintings, textiles, ceramics, lacquer, furniture, silver, diamonds, and jewelry. From the Dutch settlements throughout Asia?including Indonesia, India, Sri Lanka, Malaysia, China, and Japan?Dutch maritime traders brought an astonishing range of luxuries back to the Netherlands. Dutch consumers were enthralled with these foreign goods, which brought new colors, patterns, and textures to their interiors and wardrobes. This catalogue weaves together the complex stories of these diverse works of art and presents fascinating portraits of the dynamic cities of Amsterdam and Batavia (Jakarta)?the Dutch trade center in Asia during the 17th century. Karina H. Corrigan is the H.A. Crosby Forbes Curator of Asian Export Art at the Peabody Essex Museum. Jan van Campen is Curator of Asian Export Art at the Rijksmuseum. Femke Diercks is Curator of European Ceramics at the Rijksmuseum. Janet C. Blyberg is Assistant Curator for Exhibitions and Research at the Peabody Essex Museum.kunst
