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De Rotterdam is a unique multifunctional building on the banks of the river De Maas. Covering an area of 160,000 m2 it is a masterpiece in the oeuvre of architect Rem Koolhaas and his firm OMA and an absolute eye-catcher in Rotterdam. Because of the many functions it can truly be called a ‘vertical city’. Photographer Ruud Sies followed the building of the Rotterdam from 2009, when the first shovel went into the ground, until the completion in 2013. The building and construction show the creativity and commitment of many people, revealing a vision for urban life in the 21st century and advances in technology.
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Ruud Sies
Building The Rotterdam
De Rotterdam is een uniek, multifunctioneel gebouw op de oever van de Maas, aan de Wilhelminapier. Met een oppervlakte van 160.000 m2 is het een nieuw meesterstuk in het rijke oeuvre van architect Rem koolhaas en zijn bureau OMA en een absolute blikvanger in Rotterdam. Door de vele functies kan het met recht een 'verticale stad' worden genoemd. Fotograaf Ruud Sies volgde de bouw van De Rotterdam van 2009, toen de eerste schop de grond in ging, tot de oplevering in november 2013. Het gebouw en het bouwproces tonen de creativiteit en inzet van velen, onthullen een visie op leven in steden in de 21ste eeuw en op de vooruitgang in de techniek.kunst
Théo van Rysselberghe
The key figure of Belgian Neo-Impressionism, Théo Van Rysselberghe (1862-1926) has a considerable reputation outside his own country. Van Rysselberghe had ties with the outstanding Belgian and French painters of his day and painted a number of portraits of friends such as Emile Verhaeren, Edmond Picard, Camille Lemonnier, André Gide, Paul Signac, and Henri-Edmond Cross. Through his art, the painter entered into a dialogue with his contemporaries, including Seurat, Signac, Cross, Van de Velde, Morren, Lemmen, and Finch. A number of styles can be observed: Orientalism (his first travels in Morocco), Impressionism (seascapes painted near Knokke, scenes from Moroccan life), Neo-Impressionism, portraits, and his late works (seascapes, landscapes, and female nudes).kunst
Pierre-Joseph Redoute
Pierre-Joseph Redouté (1759-1840) is the undisputed master of botanical art. His illustrations of flowers occupy the intersection of art and science, and they represent a unique fusion of botanical precision with artistic elegance. This richly illustrated publication presents a wide selection of Redouté's books, drawings and watercolours. Several short essays by Dutch and French specialists deal with different aspects of his art. As court artist to Queen Marie-Antoinette and Empress Joséphine, Redouté drew extraordinary flowers and plants from the Jardin des plantes and the gardens of Malmaison, which made him the darling of Parisian society. Napoleon Bonaparte presented his books as gifts to the crowned heads of Europe, and his pictures illustrated the works of the most eminent scientists of his day. His most famous books, Les Liliacées and Les Roses, are among the milestones of botanical literature. The Teylers Museum was presenting the first retrospective of this artist's work in the Netherlands.kunst
