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De Rotterdam is a unique multifunctional building on the banks of the river De Maas. Covering an area of 160,000 m2 it is a masterpiece in the oeuvre of architect Rem Koolhaas and his firm OMA and an absolute eye-catcher in Rotterdam. Because of the many functions it can truly be called a ‘vertical city’. Photographer Ruud Sies followed the building of the Rotterdam from 2009, when the first shovel went into the ground, until the completion in 2013. The building and construction show the creativity and commitment of many people, revealing a vision for urban life in the 21st century and advances in technology.
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Ruud Sies
Building The Rotterdam
De Rotterdam is een uniek, multifunctioneel gebouw op de oever van de Maas, aan de Wilhelminapier. Met een oppervlakte van 160.000 m2 is het een nieuw meesterstuk in het rijke oeuvre van architect Rem koolhaas en zijn bureau OMA en een absolute blikvanger in Rotterdam. Door de vele functies kan het met recht een 'verticale stad' worden genoemd. Fotograaf Ruud Sies volgde de bouw van De Rotterdam van 2009, toen de eerste schop de grond in ging, tot de oplevering in november 2013. Het gebouw en het bouwproces tonen de creativiteit en inzet van velen, onthullen een visie op leven in steden in de 21ste eeuw en op de vooruitgang in de techniek.kunst
Théo van Rysselberghe
The key figure of Belgian Neo-Impressionism, Théo Van Rysselberghe (1862-1926) has a considerable reputation outside his own country. Van Rysselberghe had ties with the outstanding Belgian and French painters of his day and painted a number of portraits of friends such as Emile Verhaeren, Edmond Picard, Camille Lemonnier, André Gide, Paul Signac, and Henri-Edmond Cross. Through his art, the painter entered into a dialogue with his contemporaries, including Seurat, Signac, Cross, Van de Velde, Morren, Lemmen, and Finch. A number of styles can be observed: Orientalism (his first travels in Morocco), Impressionism (seascapes painted near Knokke, scenes from Moroccan life), Neo-Impressionism, portraits, and his late works (seascapes, landscapes, and female nudes).kunst
David de Wit
Rembrandt’s Late Pupils
Many compositional sketches show Rembrandt's distinctive method for training pupils and his own imagination. Genre and landscape drawings demonstrate how the pupils studied a range of specialist themes and techniques to achieve comprehensive mastery. Finished paintings, some still produced in Rembrandt's studio, reveal their instruction under Rembrandt but also their individual responses to his model. His instructions drew aspiring young painters, such as Nicolaes Maes, Willem Drost, Abraham van Dijck and Jacobus Leveck. They came for the second phase of their training, to become independent masters. They saw Rembrandt as a comprehensive teacher, and not only imitated his virtuoso brush work, but also followed his instruction in a wide range of subject matter, from historical narrative to landscape.kunst
