Jean Desmet’s Dream Factory: The Adventurous Years of Film (1907-1916) offers an inspiring picture of the early years of film. This new medium developed rapidly into a popular form of entertainment thanks to new technology, artistic ingenuity and creative entrepreneurship. The film industry could grow in part because of passionate businessmen like Jean Desmet (1875-1956), who rose from fairground showman to become one of the most important cinema exhibitors and film distributors in the Netherlands.
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Jean Desmets droomfabriek
Het boek 'Jean Desmets droomfabriek. De avontuurlijke jaren van de film (1907-1916)' biedt een inspirerend beeld van de geschiedenis van de vroege jaren van de film. Nieuwe technologieën, artistieke vindingrijkheid en creatief ondernemerschap zorgden ervoor dat dit nieuwe medium zich in korte tijd ontwikkelde tot een populaire vorm van amusement. De filmindustrie kon groot worden mede dankzij gepassioneerde entrepreneurs als Jean Desmet (1875–1956), die zich van kermisbaas ontwikkelde tot een van de belangrijkste bioscoopexploitanten en filmdistributeurs van Nederland. 'Jean Desmets droomfabriek. De avontuurlijke jaren van de film (1907-1916)' is een hommage aan de filmondernemer Jean Desmet, maar vooral ook aan de films die hij vertoonde. De films uit de jaren tien van de vorige eeuw verrassen de toeschouwer van vandaag door hun originele verbeeldingskracht, hun onbevangen blik en hun inventieve gebruik van filmische middelen. Het zijn vaak films met een visuele verfijndheid die ze kunstzinnig en modern maakt. Het archief dat Jean Desmet naliet, wordt beheerd door het EYE Filmmuseum. De Desmetcollectie omvat niet alleen meer dan negenhonderd films, maar ook vele affiches, foto’s en documenten. Onder de films bevinden zich meesterwerken die decennialang als verloren werden beschouwd.
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Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst

Baule Monkeys
Straying from the traditional art canon of the delicate Baule masks and figures, 'Baule monkeys' explores the darker side of this art form, in all its aspects. This makes it to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, 'Baule monkeys' focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, it combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does it include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.kunst
