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From Titian to Rubens
Masterpieces from Antwerp and other Flemish Collections
€ 32,00 € 12,50
In 2017 the Rubens House in Antwerp received two exceptional masterpieces on long-term loan from a private collection: the Vision of Saint Catherine, a painting that has meanwhile become known worldwide as ‘David Bowie’s Tintoretto’, and Portrait of a Lady and her Daughter, one of Titian’s rare double portraits of a woman and child. To mark the return of these two iconic paintings to their native city of Venice, the Fondazione Musei Divici di Venezia has organized, in collaboration with the Flemish Community, the City of Antwerp and VisitFlanders, a large retrospective exhibition of Flemish art. From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections provides a rich overview of the best that Flemish art has to offer. The exhibition contains important loans from the leading Flemish museums with significant collections of seventeenth-century art. It also features a selection of outstanding works from private collections in Flanders. These masterpieces from Flemish collections, both public and private, hardly ever leave their homes, and some are being shown in public for the first time at this exhibition.
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The Grand Atelier
Long before its emergence as a political entity, Europe was distinguished by its intense traffic in goods and people. We too often forget that the trade routes and other navigable highways were trafficked at a very early stage by artists, works of art and rich patrons desirous of satisfying their appetite for beauty. Well-known and lesser known works offer an insight into this "European space for art and ideas" which already existed at the dawn of the Middle Ages. With its remarkable and often spectacular works, 'The Grand Atelier' illustrates various facets and many forms of this artistic interaction. The work covers a long period in the history of art, from the fifth century – the fall of the Roman Empire in the west – to the eighteenth century – the birth of the first great museums; calling on 350 works from well over a hundred European collections. The texts in the catalogue stem from the pens of several European luminaries in the history of art.kunst
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Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Baule Monkeys
Straying from the traditional art canon of the delicate Baule masks and figures, 'Baule monkeys' explores the darker side of this art form, in all its aspects. This makes it to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, 'Baule monkeys' focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, it combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does it include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.kunst
