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‘Amsterdam Is Oh So Quiet’ is a photographic record of a period that will never be forgotten: the empty streets of Amsterdam captured during the coronavirus lockdown. Amsterdam fell quiet in March 2020. During the first ten weeks of lockdown, the internationally renowned iPhone photographer Annet de Graaf roamed the deserted city. The empty streets became her living room and the few passers-by her flatmates. She captured the deafening silence with her iPhone. These images, combined with brief observations and short excerpts from her diary, make up ‘Amsterdam Is Oh So Quiet’, a photographic record of a period that will never be forgotten.
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Riksa Afiaty
Power & Other Things
The project takes its name from the demand for the transfer of power and other things to the newly independent Indonesia in 1945. It travels through time, from European colonial occupation through the development of the republican state to the trans-national contemporary cultures of today. It looks at the various international exchanges that happened in the territories of contemporary Indonesia, through the images and ideas of artists. These exchanges were of different kinds: trade, culture, religion, ideology and war. They produced a variety of results: violence, oppression, racism, creativity, spiritual awakening, and other things. The ideologies and challenges of modernity are common ways in which Indonesia has been depicted by others and has defined itself over the period. As this modern period recedes into history, the project will seek ways to remember how it has influenced contemporary understanding and ask the current generation of artists to look back in order to rewrite the past and potentially create the conditions for a different future. The catalogue and the exhibition will follow a broad chronological narrative, allowing readers and visitors to learn more about how this huge archipelago has changed over the past two centuries and to observe how it has responded and adapted to influences originating from both inside and outside the islands. The influence of the imperial Dutch and Japanese occupations naturally form a significant element in the narrative of the exhibition as does the constant struggle for different forms of independence or equal treatment by the Javanese and other Indonesian cultures. The importance of Chinese and Arab influence on Indonesia's cultural history will also feature as the exhibition tries to look for alternative ways, alongside the post-colonial, for understanding the present. The presentations will include work made during the residencies as well as new commissions.kunst
Catherine the Greatest
The name of Catherine the Great has always been surrounded with stories and superlatives, often about her private life and court intrigues. Some of these stories belong to the realm of myth, but others are perfectly true. At the age of fourteen, Catherine the Great (1729-1796) was a German princess married off to the Russian tsar. She later overthrew her husband, Peter III, and claimed the throne for herself. Catherine would become the greatest tsarina of all times. She had ambitious plans to reform the whole empire and acted with great foresight. Although she encountered setbacks, her achievements were astounding. This book gives us a closer look at her life.kunst
From Titian to Rubens
In 2017 the Rubens House in Antwerp received two exceptional masterpieces on long-term loan from a private collection: the Vision of Saint Catherine, a painting that has meanwhile become known worldwide as 'David Bowie's Tintoretto', and Portrait of a Lady and her Daughter, one of Titian's rare double portraits of a woman and child. To mark the return of these two iconic paintings to their native city of Venice, the Fondazione Musei Divici di Venezia has organized, in collaboration with the Flemish Community, the City of Antwerp and VisitFlanders, a large retrospective exhibition of Flemish art. From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections provides a rich overview of the best that Flemish art has to offer. The exhibition contains important loans from the leading Flemish museums with significant collections of seventeenth-century art. It also features a selection of outstanding works from private collections in Flanders. These masterpieces from Flemish collections, both public and private, hardly ever leave their homes, and some are being shown in public for the first time at this exhibition.kunst
